It was a long day out there at Disney Ranch, but we are always prepared. It was a fun video. Always great to work with talent that is nice to everybody. once we negotiated a deal, we had to load the truck up and take it to from Bakersfield to LA for the wrap. Then bring it back to Bakersfield. We got everything fueled up charged up wiped down ready to go then on the day of we took it over the Grapevine and showed up at Disney Ranch early like we always do. We had everything ready to go early, they got all the shots they wanted to get, and everybody was happy. The Truck worked great it was a pleasure working with the crew. At A Reel Monster Truck (ARMT) we have Monster Trucks of all sizes for your next Production. We are focused on providing safe, stunning, and capable Monster Trucks for the worldwide film industry. With more than 40 years of experience in monster truck entertainment and more than 35 years of film production experience, A Reel Monster Truck is the platinum standard in 'Delivering Results, Not Excuses' for production companies around the world. Take the next step and contact A Reel Monster Truck CEO, Terry Woodcock at: (213) 800-6766, or send us a request to meet by email at: reelmonstertrucks@gmail.com . We look forward to working with you and delivering a truly memorable experience!

Washington, D.C. - 'Time ,' a light and sound installation by UK-based art collective Luxmuralis, came alive in North America for the first time across the walls of the historic Washington National Cathedral through a powerful year-long collaboration with 4Wall Entertainment. Time by Luxmuralis, an immersive experience brought to life through intricate projection mapping, dynamic lighting, and evocative sound design, transformed cathedrals worldwide. Featuring new US-inspired storytelling elements for its North American debut, the vibrant showcase of humanity's history was brought to life through the landmark effort of Luxmuralis Artist Peter Walker and composer David Harper, alongside Technical Director Steve Rainsford, the Cathedral, and the lighting and audiovisual expertise of Lighting Designer K Rudolph and 4Wall DC Senior Account Executive Jana Chovanec. "The overall creative direction for the Washington production was about truly introducing who we are in a way that feels authentic to our core aesthetic and curatorial process," said Walker. "Creatively, we're emphasizing our aesthetic, strong narrative visuals, and music that balances emotional depth with modern production. The goal isn't to over-explain who we are, but to let the audience feel it immediately." With 4Wall standing as a trusted vendor and long-time partner of the Cathedral, Chovanec was welcomed as an audiovisual consultant on the project, working alongside Rudolph, who served as a lighting consultant. Together, they ensured Time's interplay of color, light, shadow, movement, media, and architecture enthralled a brand-new audience. "Peter and Steve explained their desire to create small moments of individual observation and experience for the audience as they walked around the installation," Rudolph said. "Even though the projection mapping was the star of the show, each transition between the six main installations was an opportunity to look at subtler moments of color, movement, and light." A project of many firsts, as Walker had never been to the Cathedral, the highly intimate process of adapting Time for an entirely new space required flexibility, trust, and flourishing creativity. An 8 month-long development phase was dedicated to research, brainstorming, and aligning Time with 4Wall and the Cathedral's widespread capabilities. /figcaption> "We worked closely with both teams to translate the concept into lighting plots, rigging plans, and production layouts," Walker said. "This stage involved constant back-and-forth reviewing, refining planning, and adjusting designs to optimize sightlines, timing, and impact. This was achieved largely through our lead tech Steve Rainsford. But we are always flexible when we install, so it was a great pleasure that the team at 4Wall understood this curatorial and artistic requirement that the plans were guides, not fixed entities." Immense levels of communication and confidence were vital for the project's success. From Luxmuralis team's unique style of operation to the UK time difference, the planning period was equally invigorating as it was complex, taking place solely online. "Explaining our knowledge of the Cathedral's highlights and working through technical requirements virtually were unique challenges," Chovanec said. "The challenges we were facing stemmed from the artist's team not yet being familiar with our gear, in addition to the comfort level of using their own equipment to produce the artwork." Distance and time complications were overcome through collective excitement, passion, and camaraderie from all teams. "Initially, there were nerves as there is trust in this type of project," Walker expressed. "It is not a corporate install, fixed and rigid, but a fluid process. We were delighted that the leads K and Jana fully understood our approach, and that the project required a unique approach. It was fantastic that they had an appetite to embrace and engage with the process in the way we do." /figcaption> Once Luxmuralis' creative vision, technical needs, and experiential goals were established, Rudolph and Chovanec devised a production strategy that kept the balance between artistry and efficiency at the forefront. "Jana's and my primary goal were to provide Luxmuralis the flexibility they needed to adjust projector and lighting positions during load-in and rehearsal, while concurrently creating a firm gameplan for our crew and the warehouse so everyone could anticipate any changes," Rudolph elaborated. "With the help of our production management team Joe Jamison, Logan Duvall, Ben Demerchant, and Abby Hirsch, we created a solid foundation that we could diverge from as needed to satisfy any artistic changes with minimal shop runs." As the Cathedral supported broader production and staging elements on site, Rudolph and Chovanec curated a gear package that upheld Walker's intent to preserve a fully immersive, uninhibited guest experience. To prepare, they researched previous cathedral installations and ensured their gear swaps resonated with Luxmuralis' typical selections. "Having 4Wall's projection, lighting and sound tech available as our palette for the project meant we were collaborating with a team able to offer us equipment of the highest caliber, which brought the experience to life for visitors," Walker said. Panasonic PT-RZ21K 16:10 DLP 21K Lumen Laser Projectors, Epson Pro L1755 16:10 15K Lumen Laser Projectors, and a variety of lenses were chosen to transform WNC's space into an engaging, mesmerizing celebration of history for guests to revel in. /figcaption> "The crisp projector setup and plethora of lensing options chosen for this event gave Walker a significant number of options to create and change his original conception of the space," Chovanec explained. "While AV gear tends to be cumbersome, we had our warehouse create masking for our projector installation pieces. Guests were able to lie down in the center aisle and watch the projection elements change. The gasps and awe-struck looks on their faces made this year-long collaboration worth it!" Rudolph selected a wide range of Chauvet Professional fixtures to fully envelop the Cathedral in experimental and dramatic hues, while accompanying the Nave projection mapping and music of Luxmuralis composer David Harper. "I spec'd most of our stock of Chauvet Quad 4's so we could freely move the fixtures as Luxmuralis needed," Rudolph explained. "Chauvet Well Fits were utilized in areas like the High Altar where services and other Cathedral programming necessitate our ability to strike and reset fixtures for each show during the run. COLORado Solo 2 Zooms provided enough beam flexibility to provide tighter cones or broader washes depending on their placement and purpose." Months of development resulted in only three days of setup, with Walker's first time on site occurring on the first load-in day. Despite the complexities of virtual planning, Time's execution was successful through the team's fervent efforts. "What was great was that we could see that 4Wall's team was built through trust, friendship, and collaboration. It felt like from both sides, we adopted and became embedded in each other's teams, even when discussing from a distance." Walker said. /figcaption> From online meetings to the final day of load-in, the process of bringing Time to life in the US was seamless. "Having team leads on site who had vast experience and knowledge and a venue which fully embraces the experience, made the project far smoother than it potentially could have been," Walker concluded. "Given the potential pitfalls of the process we use and the uniqueness of this approach, it was an extremely successful project." To learn more about Luxmuralis, visit projectionartgallery.com For more information about 4Wall Entertainment, visit 4wall.com

Los Angeles, CA - For the third consecutive year, Step and Repeat LA, a division of Collins Visual Media, produced the 38-foot media wall for the American Black Film Festival Honors, an annual celebration recognizing excellence and influence in entertainment. The installation featured a fully custom build, including side panels wrapped over 1/2" wood and metallic silver graphics mounted on 1" white gator. The result was a clean, dimensional presentation designed to photograph seamlessly across the red carpet and complement the event's elevated aesthetic. Established in 2016, the American Black Film Festival Honors celebrates Black artists who have made significant contributions to American entertainment, as well as individuals who continue to champion inclusion within the industry. This year's honorees included Jennifer Hudson, Angela Bassett, Damson Idris, Salli Richardson-Whitfield, and Ryan Coogler & Zinzi Coogler. Awards were presented by Keke Palmer, Vivica A. Fox, and Dwayne Johnson. Step and Repeat LA, backed by the fabrication and large-format printing capabilities of Collins Visual Media, continues to support high-profile events with reliable production, custom builds, and fast turnaround solutions for red carpets, premieres, and brand activations. About Step and Repeat LA Step and Repeat LA is a Los Angeles-based provider of red carpet backdrops, media walls, and event branding solutions. With in-house production through Collins Visual Media, the company offers a range of custom and ready-to-go display options for events of all sizes.

In the early years of National Set Medics, Ryan Perry quietly built a reputation as one of the most trusted and dependable medics in Southern California. He wasn't the loudest voice on set, nor the one seeking recognition-but time and again, production teams relied on his steady presence, sharp instincts, and unwavering professionalism. Today, with over 300 National Set Medics jobs to his name, Ryan's experience speaks for itself. But what truly sets him apart-and earned him the nickname "The Silent Lion" -is not just his ability to deliver high-quality medical care. It's the way he operates beyond the obvious. Ryan watches. He listens. He anticipates. While others focus only on what's in front of them, he maintains a constant awareness of the entire environment-cast, crew, conditions, and potential risks. And when something isn't right, he doesn't hesitate to step in. To advise. To protect. That mindset has made him an invaluable leader in his role as Director of Operations. Ryan plays a critical part in coordinating and advising on best practices to ensure productions are covered efficiently, safely, and seamlessly-no matter the scale or complexity. His work spans major productions such as Holey Moley, Teen Mom, and RuPaul's Drag Race, where precision, adaptability, and proactive planning are essential. During the COVID-19 pandemic, Ryan was also instrumental in helping the industry continue operating safely. He played a key role in coordinating thousands of COVID tests, ensuring that productions could move forward while protecting everyone involved. It was a defining moment that highlighted not only his operational expertise, but his commitment to the well-being of others under pressure. Ryan's approach is simple, but powerful. It reflects years of experience and a deep understanding of what it takes to succeed in high-stakes environments: "Stay aware, stay ready, and never be afraid to speak up." It's this philosophy-quiet vigilance paired with decisive action-that defines Ryan Perry as both a leader and a protector. The Silent Lion doesn't need to roar. His presence alone keeps people safe. Let National Set Medics be you Silent Lion! Thank you, Dan Schlund Paramedic / Owner (844) Set Medic (738-6334 ) - Toll Free dan@NationalSetMedics.com www.NationalSetMedics.com

Big landscapes shouldn't be out of reach.

Tejon Ranch-Southern California's largest private filming location-is now offering student-friendly pricing designed specifically for film schools and emerging filmmakers. From rolling hills and rugged mountains to open plains and miles of cinematic dirt roads, our 270,000-acre property gives you the scale and flexibility to bring your story to life-without compromising your vision.

Why Tejon Ranch for student films?

• Multiple looks in one location • Reduced company moves = more time on set • Flexible access for creative exploration • Pricing built to match student production budgets Whether you're in pre-production or actively scouting, we're here to support your project from the ground up.

Film bigger. Stay on budget.

Located just north of Los Angeles Contact us to learn more about student rates and availability Anthony Russell Property Management Supervisor P.O. Box 1000 | 4436 Lebec Road Tejon Ranch, CA 93243 (661) 663-4205 Direct (661) 624-8409 Cell www.TejonRanch.com Tejon Ranch Communities

We provide spaces for: Film & photo production Art events & installations Music events & rehearsal Fashion shows and corporate events Pop-ups Immersive production Meetings, presentations & exhibitions Theater Fabrication Short / long-term storage Base camps / parking Industrial bones. Creative freedom. Rockstar energy. Spaces that feel like you're stepping into the set before it. BOOK NOW: 310-435-1051 IMPERIALARTSTUDIOS.COM JULIO@IMPERIALARTSTUDIOS.COM

Pacific Studios specializes in custom backdrops tailored to your exact size and creative needs. Choose from our extensive library of new high-resolution stock images or provide your own photography to create a truly custom scenic for film, television, commercials, and still shoots. We also offer a large inventory of rental backdrops, providing ready-to-hang scenic solutions when you need something fast and cost-effective. Whether custom or rental, Pacific Studios delivers production-ready backdrops to help bring your set to life. Pacific Studios Tel: 323.653.3093 Cell 818.522.5047 Fax: 323.729.3218 email: pacstudios@gmail.com website: www.pacificstudios.net